MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,
that thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
- John Keats, from Ode to a Nightingale
Keats'
Ode to a Nightingale was the last poem we read in my language class my sophomore year at SJC. After we'd talked about the other stanzas for a while, my tutor drew our attention back to the first one, the one quoted above, and asked us to explain the lines "'Tis not through envy of thy happy lot, / But being too happy in thine happiness". There was silence for a few moments as no one felt brave enough to venture an answer. As the silence stretched to the point where it was starting to become awkward, someone finally said something, and a brief discussion ensued. But none of my classmates seemed to be hitting on the feeling that those lines inspired in me, and most admitted they had no idea what he was talking about.
I don't know whether the feeling Keats describes is a function of experience, or of passion, or maybe some combination of both. At the time, it seemed to me that at some point everyone experiences that feeling -- a feeling so overwhelming, so all-encompassing, that it tips from pleasure into something that is almost pain. But when I attempted to express that to my classmates, all I got in return were uncomprehending expressions. Only my tutor was nodding in understanding and agreement.
Class ended soon after, and all sixteen of us shoved our chairs back from the scarred wooden table with loud scrapes, spilling into the spring sunshine in laughing knots of two or three. But the memory of that class, and of that question, has stayed with me, and every once in a while comes up the surface of my mind to be reexamined and mused over. Why is it that none of my classmates knew the sensation Keats was trying to describe? Were they just too young? Most were barely twenty, if that. Had they just not had the opportunity yet? Again, their relative youth might explain that, and time might fix it. Or was it a matter of passion? Had lives of comfort and little challenge, of immediate gratification and too much time in front of the TV robbed them of sensation Keats was trying to communicate?
I don't really know the answer to my question. I have an idea that the real answer lies in some combination of all of those things; but I think that passion is the key. Passion is what elevates moments of mediocrity to sublimeness, what makes ordinary things extraordinary and regular people more than just the sum of their parts. But along with the highs come the lows, and I think most people are too afraid of the inevitable tumble from the heights of joy into the depths of sorrow to ever attempt the climb. They stay safely in the middle, hugging the average, never feeling too much pain, but never knowing much of joy, either. It is a tragic choice, I think, one that robs the world of much that it could be. Of course, unrestrained passion is more hurtful than it is of any benefit; but that is not what I am talking about. I'm talking about the courage to pay the price, to be willing to experience great sorrow to experience those moments of transcendent joy that teeter on the edge of pain, those moments when your heart is so full that it feels like it might burst, and you feel like shouting and singing and telling the whole world at the top of your lungs that everything is beautiful and wonderful. It is worth it for those moments, I think. It is worth it for those moments of perfect sadness, even, for those moments when your heart is breaking but at the same time so full of a lesson you never could have learned otherwise that you wouldn't have avoided the sorrow if you'd had the chance.
*Alma 26:11